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戏曲声腔艺术,与其它艺术门类有着不同的区别。它是要求演员通过成熟的演唱技巧,优质的音色、音准、音质、音高及运腔手法,给观众引起的强有力的精神共鸣,同时,也是观众对戏曲演员成就高低的一种评价和认识。当黄梅戏蜚声海外家喻户晓的时候,我骑在牛背上通过农村的高音喇叭与它邂逅。“小女子本姓陶,天天打猪草”“树上的鸟儿成双对”“为救李郎离家园”这一字字,一句句如珠落玉盘的乡野清音,似山间清泉,清冽心田,又如巨大的磁石深深将我吸引。从那时起一个平凡而又伟大的名字——黄梅戏与严凤英,便刻在了一个六岁孩子的心底,并引领她步入了黄梅戏的艺术殿堂。她那情甜亮丽,纯朴自然,温婉飘逸的演唱风格,也影响着我的艺术生涯。
The art of opera soundtracks is different from other art genres. It requires actors to resonate with the powerful spirit of the audience through mature singing skills, excellent timbre, tonal quality, sound quality, pitch and luck, and at the same time it is also an evaluation and recognition of the audience’s achievements in performance of opera actors. . When Huangmei was world-renowned overseas, I was riding on a cow back and met with it through a rural tweeter. “The little girl surnamed Tao, pig every day to play ” “tree pairs of birds ” “To save Li Lang from home ” this word, a sentence such as beads falling jade plate of countryside Voiceless, like the mountain springs, clear heart, but also a huge magnet deep I will attract. Since then, an ordinary and great name - Huangmei opera and Yan Fengying, was moment in the heart of a six-year-old child, and led her into the Huangmei opera art hall. Her sweet and beautiful, simple and natural, gentle and graceful singing style, but also affect my artistic career.