国内荧幕上充斥着20多档鉴宝节目,占据收视榜前列的基本都围绕“东西是真是假”、“值多少钱”来设计内容,无法跳出这个模式。而这也是被“中国文物黑皮书”三部曲作者吴树所诟病的鉴宝节目怪现象:定位不清,做文化又要搞娱乐,最后就是“四不像”;过分商业化,几乎所有节目都把自己当做是“鉴定公司”。 Domestic screen is full of 20 files Kam Po show, occupy the forefront of the ratings are basically around the “things are true and false,” “how much” to design content, can not jump out of this mode. This is also the strange phenomenon of the Kam Po program, which is criticized by the author Wu Shu of the “Chinese Cultural Relics Black Book” trilogy: the orientation is unclear, the culture is also engaged in entertainment, and the last is “four unlike”; over-commercialization Almost all shows regard themselves as “identification companies.”