把诗歌简单划分为城市诗派与乡土诗派两类,与把诗歌分为女性诗歌和男性诗歌一样不可信。不过,近年来诗中的城市意识与女性意识的强化倒是一种值得注意的文学走向。丁蔚文的诗集《红贡果》在众多的“群体”“流派”中自然不是最响亮、最惹人注目的,但她从一个女性的角度去体验城市的诸种风情,又从城市的视界去表达一个现代女性的心绪,便有了一种骚动而缠绵、喧嚣而幽暗的特殊气息。 The simple division of poetry into two categories: urban poetry and local poetry, is not as credible as dividing poetry into female poetry and male poetry. However, in recent years, the enhancement of urban consciousness and female consciousness in poetry is a noteworthy literary trend. Ding We Wen's poetry anthology “Red Gong Guo” is naturally not the loudest and most conspicuous in many “groups” and “genres”. However, she experiences the urban customs from a female perspective and goes from the urban horizon Expression of a modern woman's mood, there will be a riot of lingering, noisy and dark special atmosphere.