盆景艺术发展史已经证明,作为一门艺术形式而存在的盆景,体现了人作为有意识、有情感的社会存在物对美的刻意追求的一种“本性”,是人与自然抗争的产物。从盆景艺术的诞生起,艺术家已经有意无意地将这种主体意识清融于盆景艺术的创作之中。越是精美的盆景艺术佳作,越能集中体现盆景艺术的这一本质内涵。那百孔千疮的古桩。气宇轩昂的古松,无疑都是对大自然残酷槯毁生命的一种抗争,而那种穿岩的枝叶,附石的根爪又何尝不是对生的欲求的体脱?这以其说是柴种植物生存的本能,不如说是人的生命意识的复现。所以说盆景艺术的本质内涵即在它的生命 The history of the development of bonsai art has proved that the existence of bonsai as an art form embodies the “nature” of man as a deliberate pursuit of beauty as a conscious and emotional social being and a product of the struggle between man and nature. From the birth of bonsai art, artists have consciously or unconsciously submerged this subjective consciousness in the creation of bonsai art. The more beautiful bonsai art masterpieces, the more you can focus on this essential connotation of bonsai art. That hundred holes of ancient piles. Imposing genius of ancient pine, are undoubtedly the cruel destruction of nature, a life-threatening, but that kind of rock-clad foliage, with the root of the stone is not the desires of the descendants of life? This is said to be Chai The instinct of plant survival, as it is the recurrence of human consciousness of life. So the essence of bonsai art is in its life