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对称作为诗歌形式建构的重要方式,在具体创作实践中又可细分为两种不同形式:一是倾向于整齐一律的“对仗”;二是融“一致”与“不一致”于一体的“对称”。在五四时期的新诗变革中,诗歌中的对称形式发生了现代转变,使诗歌初步完成了从以整齐一律为主导的旧体诗形式,到自由多元的现代诗体形式的变革。新诗的对称主要体现在诗形建构、节奏安排以及诗意构筑等方面。多样自由的对称形式为新诗的诗形建构提供了多样化途径;以对称形式安排的音节和韵,为新诗节奏的试验提供了技术支持;多元化的对称推动了新诗诗意建构的复杂化。所有这些既为中国现代诗歌增添了更加多维的表达空间,也为五四新文学的思想与精神革命注入了全新内涵。
Symmetry, as an important way to construct poetry, can be subdivided into two different forms in the practice of concrete creation: one is to tend to be neat and tidy; the other is to melt “consistent” and “inconsistent” “In one ” symmetry ". During the revolution of the new verses in the May 4th Movement, the modern transformation of the symmetrical forms in poetry took place, and the poetry has basically completed the transformation from the old form of poetry dominated by neatness to the free and diversified form of modern poem. The symmetry of new poetry is mainly reflected in the poetic construction, rhythm arrangement and poetic construction and so on. The diverse forms of freedom and symmetry provide diverse ways for the poetic construction of new poetry. The syllables and rhymes arranged in symmetrical forms provide technical support for the test of the rhythm of new poetry. The pluralistic symmetry promotes the complication of the poetic construction of new poetry. All these not only add more multi-dimensional expression space to modern Chinese poetry, but also infuse new meaning into the thought and spiritual revolution of May Fourth New Literature.