本文是一场讨论会的真实记录。与会者围绕金熊奖获奖影片《白日焰火》的主题、情节、导演艺术和审美倾向等方面作了广泛而深入的探讨,其中对影片的观念与类型、审美幻象与真实、日常生活的崇高与悲剧等理论问题展开热烈的交锋,显现了在现代和后现代理论背景下多元的批评取向。 This article is a true record of a seminar. Participants made extensive and in-depth discussions on the theme, plot, directorial art and aesthetic tendencies of Golden Bear award-winning film “Daydream”, in which the concept and type of film, aesthetic illusion and reality, and the lofty In a heated battle with other theoretical issues such as tragedy, the trend toward pluralistic criticism under the background of modern and postmodern theories was revealed.