真正的大作不以幅面和体量取胜,而是以智慧和志趣取胜。与此相反,现在的艺术家爱画大画,弄大装置,做大活动。有的比长,有的比高,有的比多,有的比总面积,无非是以大吓人。为了造成吓人的第一印象,把画面肆意放大到离谱的地步,或通过反射镜、声光电子设备、喷水喷雾装置、气球标语、充气门与欢庆锣鼓,外加殡仪馆式的花篮阵,造成空洞的声势。在当代艺术圈和世俗艺术界,这种情形愈演 The real masterpiece does not win in format and size, but wins with wisdom and interest. In contrast, artists now love to paint large paintings, make big installations, and make big moves. Some than long, some high, some more, some than the total area, nothing more than a big scary. In order to create a scary first impression, the picture should be magnified to the point of ridiculousness, or through the mirrors, acoustooptic devices, water spray devices, balloon banners, inflatable doors and gongs and drums, plus funeral parlor blossoms, resulting in holes The momentum. In the contemporary art world and the secular art world, this situation goes on