文化舞台上拉风的男性角色,往往少不了忠诚的妻子和漂亮的情妇来一起推动情节,这与其说是在“忠诚”和“漂亮”两种品质之间无由选择,毋宁说是在“妻子”和“情妇”二者面前徘徊不定。正如张爱玲的红白玫瑰之辩:娶了红玫瑰,久而久之,红的变成了墙上的一抹蚊子血,白的还是“床前明月光”;娶 The masculine role of pulling the wind on the stage of culture, often with the loyalty of his wife and pretty mistress to promote the plot, this is not so much in the “loyalty” and “pretty ” no choice between the two qualities, rather Is in the “wife” and “mistress” in front of both wandering uncertain. As Zhang Ailing red and white rose debate: married a red rose, over time, the red into a wall of mosquito blood, white or “bed moonlight”; marry