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日本的话剧团没有自己的剧场,不能经常公演;但在主人周到的安排之下,让我们在二十五天中饱览了各主要话剧团的演出,眼福真是不浅!我们看到的是——俳优座的《三分钱歌刷》,民主德国布莱希特作,千田是也导演;文学座的《悭吝人》(日译《守钱奴》),法国莫里哀作,岩田丰雄和戌井市郎共同导演;民艺刷团的《锻炼》,美国阿瑟·密勒作,菅原卓导演;葡萄会的《明治之柩》,宫本研作,竹内敏晴导演;京京艺术座的《野火》,诸井条次作,冈田丰导演;泉座的《秃山之夜》,大桥喜一作,津留达儿导演;新人会的《月明星稀》,田中千禾夫作,作者和岛田安行共同导演;关西艺术座的《有烟囱的街》,早船千代原著,蓬莱泰三改编,道井直次导演。此外,还看了一次名古屋工人的业余演出,舞台艺术学院和俳优养成所学生两次小型演出。计十一次。
The Japanese Repertory Theater does not have its own theater and can not perform often. However, under the arrangement of the Master, let us have a full view of the performances of the major repertory troupes for twenty-five days. What we see is -俳 excellent seat of the “penny song” Brush Germany Democracy made, is also directed by 千 田; literary seat of “miser” (Japanese translated “slave money slaves”), France Mori laissez-faire, Iwata Fengxiong and Xu Jing-Lang director; folk art brush group “exercise”, the United States Arthur Miller made, Sugawara Zhuo director; grapes will be “Meiji Zhi”, Miyamoto research, Takenori Min director; Beijing Jing Block “ Wildfire ”, Shizuka Tsutsumi, Okada Fung Director; Spring Block“ bald mountain night, ”a bridge for hi, Jin stay up children director; new club“ moon star dilute, ”Tanaka thousands of husband and wife, author and Shimada Anxing co-director; Kansai Art Block “Chimney Street”, early ship Chiyoda original, Penglai Tai three adaptation, direct director. In addition, they also saw two amateur performances by Nagoya workers, two mini performances by the Academy of the Stage Arts and the students at the Suyou Yoshinori. Eleven times.