论文部分内容阅读
在师陀的剧作《大马戏团》中,始终悬置着都市和乡村这两个对立的意象,这也成为剧中人价值追求的两极。在二者之间,剧中人不同的趋向力产生的矛盾最终造成了悲剧的发生。本文试图从这两个意象出发,解读剧作,从而对这一旧作产生新的理解。
In Shituo’s play “The Grand Circus”, the two opposing images of urban and rural areas are always suspended, which has also become the pole of pursuit of value in the play. Between the two, the contradiction between the different tendencies of the dramatis personae eventually led to the tragedy. This article attempts to interpret the dramas from these two images to create a new understanding of the old works.