卫国战争胜利之后,苏联歌曲创作在量和质的方面都有显著的飞跃,创作队伍也大大扩展了。除了杜那耶夫斯基、查哈罗夫、亚历山大罗夫、布朗介尔、诺维柯夫、索洛维约夫-谢多伊、弗拉德庚等歌曲大师之外,五十年代还涌现了马卡罗夫、杜里柯夫、穆拉杰里、诺索夫、罗迪庚这样一批新进作曲家。战后的歌曲从内容到形式益发丰富多样。作为战时的余音和回响,出现不少歌唱卫国战争的新歌:有激动人心、充满浪漫色彩的英雄故事,也有对昔日战斗的回顾和对战友的思念,如诺维柯夫的《道路》和《白桦》、索洛维约夫-谢多伊的《共青团员之歌》、布朗介尔的《忧郁的柳》、弗拉德庚的《晚霞金黄》等。其中最出色 After the victory of the Great Patriotic War, the Soviet songwriting made significant leaps in both quantity and quality, and the creative team expanded greatly. In addition to Duanyevsky, Chakorov, Alexander Roth, Braunschweig, Novikov, Solovyov-Sheldra, Vlad Geng and other master of songs, the fifties A number of new composers such as Makarov, Duriqv, Murajeri, Nozos and Roddy Geng emerge. After the war songs from the content to the rich and varied. As wartime reverberations and repercussions, there have been many new songs sung in the Patriotic War: exciting and romantic heroic stories, reviews of past battles and thoughts of comrades-in-arms, such as Novikov’s “road” And “birch,” Solovyov - Sheyde’s “song of the Communist Youth League”, Browne’s “Melancholy Willow”, Vlad Gage’s “Golden Sunset” and so on. One of the best