空白,无影无形,但它在人们现实生活里却芳踪处处:在沙漠中,它是长途跋涉者驻足的绿洲;在激昂的交响乐里,它是连贯一起的休止符;在高耸的新楼中,它是透气的门窗;对于人生来说,空白则是拼搏奋斗者的度假村。空白,又是人们艺术生活中如影随形的精神世界:绘画要像神龙见首不见尾,作诗则言有尽而意无穷,写字要意到笔不到,电影里花落花开已是沧桑几度,传统戏剧中马鞭一挥表示驰驱万里……。可见,在一切艺术门类中,空白是必不可少的艺术组成元素。缺少了它,一切艺术作品将为之减色。园林传统艺术盆景也不例外。故古往今来,空白,成为艺术大师们毕生寻觅的美的矿床;成为艺术知音们欣赏、追求的热点。盆景大师因深懂空白 Blank, invisible and invisible, but in real life there is an almost universal presence: in the desert it is an oasis where trekkers stop; in a passionate symphony it is a coherent repose; in a towering new building , It is breathable doors and windows; for life, the blank is the struggle of those resorts. Blank, but also people’s artistic life go hand-in-hand with the spiritual world: the painting should be like a dragon see first see no tail, poetic words have infinite meaning, writing to pen less than, the film blooming is the vicissitudes of time In the traditional drama, the whip wave said Chi Chi Wanli ... .... Can be seen in all art categories, the blank is an essential element of the art. Without it, all works of art will be reduced color. Garden traditional art bonsai is no exception. Therefore, from the past to the present, the gap has become a masterpiece of artists looking for the beauty of the United States deposits; become art envy enjoy, the pursuit of hot spots. Bonsai Master because of a deep understanding of blank