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本论文主要研究探索两宋绘画为何成为了中国画史上登峰造极之时代,尤其是山水画的表现,无愧是中国画发展史上的里程碑。两宋是继唐、五代后中国绘画史上又一个辉煌的繁盛时期。前后历经三个多世纪,纵然前承唐与五代后继元朝的南宋都在山水画发展中具有继往开来的特点,各种绘画体系之间相互借鉴又相互影响,组成了宋代绘画丰富多彩的面貌。特殊的历史背景,这个时期涌现了理学的人文思想环境和商品市场化的刺激,两宋从最高统治者到基层的民众,都热衷于绘画艺术。
This thesis mainly studies and explores why the two Song dynasties became the era where Chinese painting history peaked, especially the performance of landscape painting, which deserved to be a milestone in the history of the development of Chinese painting. The two Songs are another brilliant prosperous period in the history of Chinese painting following Tang and Five Dynasties. Before and after more than three centuries ago, even though the Southern Song dynasty, formerly known as the Tang and Five Dynasties and succeeding Yuan Dynasty, had the characteristics of the past and the future in the development of landscape painting, the various painting systems borrowed from each other and influenced each other and formed the rich and colorful appearance of the Song Dynasty paintings. The special historical background, during this period emerged Neo-Confucianism’s humanistic environment and the stimulation of the marketization of merchandise. The two Songs, from the highest ruler to the grassroots, were keen on painting art.