“悲秋”可以说是中国传统文学尤其是古典诗歌的一个母题,千百年来由此生发了众多经典作品,譬如杜甫的《秋兴八首》、李白的《秋登宣城谢脁北楼》、范仲淹《苏幕遮·碧云天》、欧阳修的《秋声赋》,等等。这些经典不仅在文学史上留下浓墨重彩的一笔,也对后人的同题材写作构成了巨大的压力。而具体到现代汉语诗歌写作语境,包括 “Sad Autumn” can be said to be a motif of Chinese traditional literature, especially classical poetry. For thousands of years, many classic works have been produced, such as Du Fu’s The Eight Poems of Qiu Xing, Xie Xie North Building, Fan Zhongyan “Su Cu cover Bi Yun Tian”, Ouyang Xiu “Autumn Sound Fu”, and so on. These classics not only left an indelible mark in the history of literature but also exerted tremendous pressure on future generations to write the same subject matter. And specific to the contemporary Chinese poetry writing context, including