芥川龙之介是日本文学史上的重要作家。本论文围绕其相对不受瞩目的短篇作品《秋山图》展开,这一作品取材自我国清初画家恽格记述的掌故,现有研究多将其看作一个眷恋“东方文化”的文本。本论文视《秋山图》为具有多义性的文本,从文本基本事实、“形式”、“内容”、历史这四个方面作了分析,认为《秋山图》作为“中心”作家的“小”作品,体现了东西文化的共同影响,是具有多义性但同时诠释空间有限的文本。由此在回应、延展《秋山图》既有研究关注的同时,寻获《秋山图》在历史中的位置,并为围绕文本多义与有限的讨论提供一例个案。 Akutagawa Ryunosuke is an important writer in the history of Japanese literature. This thesis focuses on its relatively unnoticed short story “Akiyama Figure”, which is based on the account of the painter in the early Qing Dynasty. Most of the existing works regard it as a text attached to “oriental culture” . This paper regards Akiyama Figure as a text with ambiguous meaning and analyzes the basic facts, text form, contents and history, and holds that Akiyama Figure “Writer ” small "works, reflecting the common influence of Eastern and Western cultures, is a text with ambiguous but limited interpretation space. Therefore, in response to the extension of the existing research on Akiyama Akira, we can find out the historical position of Akiyama in the history and provide a case study on the polygamy and limited discussion of the text.