论文部分内容阅读
很长一段时间,我作为一个忠实崇拜者,追着看严锋的文章。最早是从哪篇看起的呢?《好书》、《好琴》还是《好棋》?真是好文章啊。而且是让人看着满心欢喜的好文章。有时候心里也会忍不住想:严锋到底“好”在哪里呢?最体现在纸面上的,当然是他聪明之极,懂得多。他写《好琴》,能从一架斯坦威的babygrand说起,说到贝希斯坦,说到波森道佛,——听着这些没听过的拗口名字,不由得就要对他生起景仰之心,再听他说些“一架9英尺的德国波森道佛(Bosendorfer)钢琴,有18000个部件,琴体能承受20吨的巨大压力”之类的掌故,更觉得他像是古龙笔下的百晓生,无所不知,无所不晓。
For a long time, as a loyal admirer, I chase after Yan Feng’s article. What is the earliest from the book? “Good book”, “good piano” or “good chess”? Really good article ah. And it’s a good article that makes people happy. Sometimes my heart will not help but think: Yan Feng in the end “good” where? Most reflected in the paper, of course, is his clever, know more. He wrote “Good Harp,” talking about a babygrand at Steinway, speaking of Bechstein, of Beethos, and listening to these unheard-of tongue names, Heart, listen to him “a 9-foot Bosendorfer piano, 18,000 parts, the body can withstand the tremendous pressure of 20 tons” and so on, but also feel like he was writing down The hundred Xiaosheng, omniscient, omniscient.