六朝青铜容器的考古学研究

来源 :考古学报 | 被引量 : 0次 | 上传用户:llljjjxxx777
下载到本地 , 更方便阅读
声明 : 本文档内容版权归属内容提供方 , 如果您对本文有版权争议 , 可与客服联系进行内容授权或下架
论文部分内容阅读
The bronze vessels of Six Dynasties period recorded so far are not comparable with those of Han period in number and using scope,but in cultural content,they show clear multiplicity and chronological division owing to the geographical and political difference between the six dynasties.The available bronze vessels of the Six Dynasties period can be divided into two classes:traditional types and newly created ones.The former had prevailed in the Han period,including the washer,bowl,jiaohu tripot,mao food container,double-eared cauldron,fu-zeng cauldron-steamer,fu large cauldron,eared cup and kui spoon,while the latter emerged or prevailed in the Six Dynasties period,such as the jiaodou tea-boiling vessel,bottle,spittoon,three-legged basin,dang wine-heating tripod,chamber pot,ink slab,saucer and goblet.The evolution of Six Dynasties bronze vessels is reflected mainly in the morphological change and typological rise and fall of the two classes of objects,with the Eastern Jin period as the general demarcation,which is roughly the terminal line of the first class and the starting line of the second one.The whole developmental course can be divided into three stages.The first stage covers the Three Kingdoms and Western Jin periods,when bronze vessels were morphologically similar to those of the late Han period,with cooking and traditional wine vessels as the main types and with the distributing pattern following that in the Eastern Han.The second stage corresponds to the Eastern Jin and early Southern Dynasties periods,when cooking,containing and wine vessels decreased sharply,newly-created types became the main stream,with the tea-set accounting for the largest proportion,the ink slab and chamber pot emerged sporadically,and the southern Yangtze River valley,eastern Liaoning and Korea as the main areas of distribution,while the Central Plains lacking such products.The third stage is in the mid and late Southern Dynasties period,when traditional types disappeared on the whole,newly-created ones emerged in large quantities,imported wine bottles and goblets appeared,and the distribution demarcation between the north and the south faded away.The change of bronze vessels reflected the complex social and historical background of the Six Dynasties period.In the Three Kingdoms and Western Jin periods,owing to disparity in the system of government,there appeared different patterns of manor economy;and in the southern valley of lower Yangtze River,as the big landowner’s economy continued to advance,the corresponding economic pattern developed further,and traditional types of bronzes were still used.In the Eastern Jin period,the trend for airy philosophical discussions and dissociation from politics led to the change of bronzes,and the confrontation between the north and the south and their difference in foreign policy exerted deep-going influence upon the distribution pattern of bronzes.Until the late Northern and Southern Dynasties period,with the growth of economic and cultural exchange,the above-described situation was altered. The bronze vessels of Six Dynasties period recorded so far not not comparable with those of Han period in number and using scope, but in cultural content, they show clear multiplicity and chronological division owing to the geographical and political difference between the six dynasties. Available bronze vessels of the Six Dynasties period can be divided into two classes: traditional types and newly created ones. The former had had prevailed in the Han period, including the washer, bowl, jiaohu tripot, mao food container, double-eared cauldron, fu- zeng cauldron-steamer, fu large cauldron, eared cup and kui spoon, while the latterready or prevailed in the Six Dynasties period, such as the jiaodou tea-boiling vessel, bottle, spittoon, three-legged basin, dang wine-heating tripod chamber pot, ink slab, saucer and goblet. The evolution of Six Dynasties bronze vessels is reflected mainly in the morphological change and typological rise and fall of the two classes of objects, with the Eastern Jin period as the general demarcation, which is roughly the terminal line of the first class and the starting line of the second one. the whole developmental course can be divided into three stages. the first stage covers the Three Kingdoms and Western Jin periods, when bronze vessels were morphologically similar to those of the late Han period, with cooking and traditional wine vessels as the main types and with the distributing pattern following that in the Eastern Han. second-stage correspondence to the Eastern Jin and early Southern Dynasties periods, when cooking, containing and wine vessels decreased sharply, newly-created types became the main stream, with the tea-set accounting for the largest proportion, the ink slab and chamber pot emerged sporadically, and the southern Yangtze River valley, eastern Liaoning and Korea as the main areas of distribution, while the Central Plains lacking such products. The third stage is in the mid and late Southern Dynasties period, when traditional types disappeared on the whole, newly-created ones emerged in large quantities, imported wine bottles and goblets, and the distribution demarcation between the north and the south faded away. change in bronze vessels reflected the complex social and historical background of the Six Dynasties period. the Three Kingdoms and Western Jin periods, owing to disparity in the system of government, there are different patterns of manor economy; and in the southern valley of lower Yangtze River, as the big landowner’s economy continued to advance, the corresponding economic pattern developed further , and traditional types of bronzes were still used. in the Eastern Jin period, the trend for airy philosophical discussions and dissociation from politics led to the change of bronzes, and the confrontation between the north and the south and their difference in foreign policy exerted deep -going influence upon the distribution pattern of bronzes. Until the late Northern and Southern Dynasties period, with the growth of eco nomic and cultural exchange, the above-described situation was altered.
其他文献
以甲烷化循环流化床反应器为研究对象,采用计算颗粒流体力学(CPFD)方法,耦合了甲烷化反应动力学模型,实现了甲烷化在循环流化床中的反应过程。将模拟结果同文献中的实验数据
虚拟技术因其良好的实用性和超高的资源利用率,逐渐被应用于更多领域中,尤其是在计算机的组装与维护中,虚拟技术更是发挥了不俗的价值。但是,作为一门新型技术,在运用和操作
抗战期间 ,日本侵略军在中国的土地上犯下了无数血腥暴行 ,除疯狂屠杀外 ,还建立慰安妇制度 ,进行细菌战、毒气战、鸦片毒品战以及虐待战俘、劳工等。其如此之残暴 ,究其原因
在新课改"以学生为主体,以能力为本位,以就业为导向"的职业教育理念影响下,根据烹饪专业学生的学习特点,结合企业对人才的用工需求,实施开放式教学探究,从课型含义、特征、实
<正>【文前小语】"切磋琢磨",我们常常是分开来说的。切磋的方法就是研究、探讨,切磋的目的就是取长补短、相互学习,以期让双方都获得提升。"琢磨",词典上有两个义项:①雕刻
我国物流高成本、低效率、物流基础设施落后、物流专业人才短缺、物流信息化水平不高及竞争力不强等问题削弱了物流的"第三利润",影响了物流业及相关产业的发展。发达经济体
本文基于商业模式创新研究文献综述,对新创企业商业模式创新的触发、转化和评价三大机制进行分析与推论,构建了商业模式创新机制的钟摆理论模型,并得出相关结论。
<正>略读课文应怎样实施教学?不少教师往往感到困惑。他们有的没有准确把握略读课文与精读课文、自读课文的区别,有的没有顾及编者安排不同课文的意图目的,因而在实际教学过
<正>常听学生感叹:"作文,作文,就似捉魂!"很多学生作文写不好,写作文往往搜肠刮肚、绞尽脑汁,他们很希望有高明的老师点石成金,好使自己茅塞顿开也能达到古人"下笔如流水"的
《旧约》中的"约伯记",是将人的精神如何在尘世中通过挣扎而求得新生,作了一个最为令人难忘的描绘。诗篇中的那位主人公约伯,他对于神旨的领悟,他的至死不渝的追求,不可遏制