论文部分内容阅读
黎清妍本质上是一位街头画家:她那些一个人、一对人、一群人的组合,抓住的不是人本身而是人的感受,她毫无保留地拥抱她捕捉到的人性。一夕之间,随着街头生活尤其是年轻人街头生活的重振。一个两难的境地由此产生了。黎清妍毕竟是一位画家,与警察的对抗让她感到害怕。她不认为自己是一位政治艺术家,虽然她认为必须要做些什么。然而,她意识到新的历史背景为她的创作提供
Li Qingyan is essentially a street painter: she is a combination of one person, one pair of people and a group of people. It captures not the human being but the human feelings. She embraces the humanity she catches without reservation. Overnight, with the revitalization of street life, especially young people’s street life. A dilemma has resulted. Li Qingyan, after all, is an artist, and the confrontation with the police made her feel scared. She does not consider himself a political artist, though she thinks she has to do something. However, she realizes that a new historical context is provided for her creation