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在现阶段的社会中,欧洲电影和美国的电影在很长一段时间,都存在着一种相互对立的关系,其中欧洲电影主要就是以导演为中心的艺术电影,美国电影则是以制片公司为中心的电影传统。在电影行业取得了较大进步的同时,有更多的导演产生了关于电影语言的统一性,但是在这其中美国的电影依然保持着其超高的影响力,但是欧洲的电影没有其固定的艺术发展模式,因此其逐渐的融合和发展美国电影中值得优秀之处。所以自1970年起,很多欧洲国家的电影导演纷纷向大众化方向发展,其中法斯宾德和阿尔莫多瓦就是比较具有代表性的导演。二人导演的电影不仅具有欧洲传统电影的独特气质,还融入进了叙事这一美国电影的特色,使影片最后呈现出只属于两人各自的独特风格。下面本文就针对法斯宾德女性四部曲和阿尔莫多瓦女性电影进行对比研究,以期能够了解二人在电影艺术上取得的良好成就。
In the current stage of society, European films and American movies for a long time, there is a mutual opposition, of which European films are mainly directed by the director of the art film, the American film is a production company As the center of the movie tradition. While the film industry has made great strides, more directors have produced unity about the language of the film, but in the United States, the movie still maintains its superb influence, but the European film has no fixed Art development model, so its gradual integration and development of American movies worthy of excellence. Therefore, since 1970, many European countries have directed the development of popular film directors, including Fassbender and Almodovar is the more representative of the director. The film directed by the duo not only has the unique qualities of European traditional films, but also incorporates the narrative characteristics of the American film so that the film finally shows its unique style that belongs to only two people. In the following article, a comparative study of the Fassbinder Women’s Quartet and the Almodovar Women’s Film will be conducted in order to understand the good achievements made by the two in film art.