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研究中国传统的绘画艺术,往往要研究其发生、发展的过程。当我们迷恋于某个时期、某个地域以及某个画家、某件作品艺术成就的时候,吸引我们目光的不仅仅是画面的题材内容与表现形式以及精湛的表现技巧,而让我们回味无穷的则是作品的“意象”表现和精神内涵。“意象”是中国传统绘画特有的造型体系。中国的绘画艺术,既不轻视造型,电不拘泥于“形似”,而要求画出能“传神”的,
To study Chinese traditional painting art, it is often necessary to study the process of its occurrence and development. When we are infatuated with the artistic achievements of a certain period, a certain area, an artist, and a certain piece of works, the fascination that attracts us is not only the content and expression of the subject matter of the screen and the superb performance skills, It is the work of “image” and spiritual content. “Imagery” is a unique modeling system of Chinese traditional painting. China’s art of painting, neither despise modeling, electricity does not rigidly adhere to the “shape”, and asked to draw a “vivid”