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元杂剧涉梦戏的梦景表现为静视与动视基本两种审美状态,这种角色的美学态势与艺术构思传达着剧作家独具匠心的思维脉络和时代思潮,尤其是道教对文学的精神冲刷。
The dream scene of Yuan drama drama involves static and dynamic basic two aesthetic states. The aesthetic posture and artistic conception of this character convey the originality thought and the thoughts of the times of the dramatists, especially Taoism’s spiritual erosion of literature .