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中国画的发展与本土文化思想体系是相通的,道家思想对中国画的发展可谓影响深远,上溯源流可到老庄。老子和庄子作为中国传统文化的主干“道家文化”的集大成者,其对文化的影响已经人尽皆知,而对于中国画的影响也是比较明显的。下面我们就道家美学思想对中国画发展的影响进行一个较为系统的分析。一、首先,道家的“自然之美”与中国画。道家提倡的是一种非人工的“自然”的理想美。老子的《道德经》声称:“人法地、地法天、天法道,道法自然”。如果说人、地、天中
The development of Chinese painting is interlinked with the local cultural and ideological system. Taoism can have far-reaching impact on the development of Chinese painting and can be traced back to Lao-Zhuang. Laozi and Zhuangzi, as the mainstay of Chinese traditional culture and the master of Taoist culture, are well known for their influence on culture while the influence on Chinese painting is also obvious. Below we will Taoist aesthetic thoughts on the development of Chinese painting a more systematic analysis. First, first of all, Taoist “beauty of nature ” and Chinese painting. Taoists advocate a non-artificial “natural ” ideal beauty. Lao Tzu’s “Moral Scriptures” claimed: “Man of the earth, the land of France days, Torah Road, Taoism natural ”. If people, earth, heaven