绘画作为一种精神现象,自然要反映画家的精神面貌,越是成熟的画家越是这样。作品和人,二者之间是必然联系。阿布的作品和他的“人”之间就可以自然而然地联系起来。那些直接取材于他所熟悉的生活的作品,无论是写生还是创作,都给人以平易、质朴、敏锐的印象,看上去就像他这个人一样。 As a spiritual phenomenon, painting naturally reflects the artist’s mental outlook. The more mature the painter is, the more it is. Works and people, the relationship between the two is inevitable. There is a natural connection between Abu’s work and his “human”. Those works drawn directly from his familiar life, whether it is sketching or writing, give a simple, simple and sharp impression that looks just like him.