“中和”说作为中国古典审美范畴,其内涵、应用和影响都是全方位的。它既是作品论,又是创作论,也是鉴赏论。中,即中庸;和,即和谐。“中和”说贯穿于中国古代美学的始终。它既是艺术心理学,又是艺术辩证法,以其主张中和之美,从而构成了不同于西方美学的特色。“中和”是中华民族艺术审美心理和艺术表现精神的集中体现。 “Neutralization ” said that as China’s classical aesthetic category, its connotation, application and influence are all-round. It is both work theory, but also creation theory, but also appreciation theory. Medium, that is, the mean; and that harmony. “Neutralization ” said that throughout the ancient Chinese aesthetics. It is not only art psychology, but also art dialectics, with its advocacy of the beauty of neutralization, which constitutes a distinctive feature of Western aesthetics. “Neutralization ” is the concentrated expression of the aesthetic psychology and artistic expression of the Chinese nation.