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艺术理论同艺术实践的辩证关系,在每个艺术发展阶段,都有着若明若暗的起伏.关于摄影的讨论,随着摄影和影视文化的构筑,也伴着其传播的广泛性和专业性蓬勃发展,愈来愈具有着自身的纯真和学科融通的显著特点.如果我们择其角度,摄影理论的探讨同摄影艺术创作的行为和归宿,两者相辅相成的互为作用,将成为摄影艺术观念及其行为方式,直言不讳的抉择和提纯.摄影作品《格子·存在·1997》,是鲁迅美术学院影像工程系副系主任刘立宏副教授,在把握艺术创作的过程中,探讨纪实和非纪实相结合的观念,进行艺术摄影创作
The dialectical relationship between art theory and artistic practice has a bright future if every step in the development of art.With the construction of photography and film culture and the extensive and professional development of its discussion, More and more has its own innocence and disciplinary integration of the salient features.If we choose its point of view, the discussion of photography theory with the photography act of creation and fate, the two complement each other, will become the concept of photography and its behavior Method, outspoken choice and purification.Photo works “Lattice exists in 1997”, isLu Xun Academy of Fine Arts Deputy Director of Engineering Liu Lihong associate professor, grasp the process of art creation, explore the combination of documentary and non-documentary concept, Art photography creation