伦杰贤(中国书协理事、行书专业委员会副主任)书画崇尚中锋用笔古来盛传,视为正脉。后之更甚,有须笔笔中锋之盛说。然纵观历代法书遗墨,除篆隶外,均多为侧锋用笔也。窃以为,先贤所谓中锋者,实以意念中锋而为之,力求运笔沉实朴厚,不偏不倚,凸显中和之美。故使笔中却多施侧势,巧使慧力,虚实相生,尽得妙趣。实乃先贤高明之处也!坡翁之把笔无定法;萍翁之作画须有华才,方能使观者快心。凡苦言中锋使笔者,实无才气之流也!是也。然知用笔者,唯 Lunjie Xian (China Shuxie director, executive director of professional committees) calligraphy and painting advocating center with the pen ancient times rumors, as a positive pulse. More after that, there is a need to write a stroke of the Shing Center. However, throughout the history of law left ink, in addition to Zhuan Li, are mostly side with the pen too. Stolen that the so-called savants of the so-called sages, in fact, the center of the idea, and strive to apply a simple and honest, impartial, highlights the beauty and neutrality. Therefore, the pen is more applied to the side, clever so that Huili, the actual situation, make fun. It is also the wise men of the wise! Piao Weng of the pen no method; Ping Weng painting must have a talent, in order to make the viewer happy. Where the bitter center so that the author, the real talent flow also! However, I know the author