自十年前完成硕士学业后,中国美术史的钻研,我用功甚少。以致近岁虽身处钱塘,但重整枫桥王元章先生诗文集的夙愿,却又不得已做做停停,翻查积下的断简残编,只剩在千头万绪里,兀兀颓然。所幸,这期间又有八岁,得L君协力,由最初查访蒙元“煮石山农”画作著录而起,转向朱明嘉靖朝严氏一族令人称奇的侵占细目的“标本化”检点,终归孜孜砣砣地算是基本告竣了。至于介溪毁誉,前贤多有论列,我亦曾与L君同往 After I completed my master’s degree ten years ago, I did very little research on the history of Chinese art. As a result, although living in Qiantang in recent years, the reorganization of the poetry anthology of Mr. Wang Yuanzhang in Maple Bridge was a last resort. However, . Fortunately, there was another eight-year-old during this period, who was assisted by L in his work. From the first visit to the Mongolian painting “Dried Stone Mountain Peasants”, it turned to Zhu Mingjia’s amazing “ ”Checkpoint, after all diligently considered basic report. As for the brook brook reputation, the former virtuous more on the column, I also had with L Jun