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1992年我得到5株高矮不等的对节白蜡树桩。桩材清秀,枝条分布均匀,特别是桩体靠近根部的枝条粗壮有力,根须四面辐射,是制作丛林式盆景的佳材。在制作中,我保留了全部枝条,并分别将所有的枝条剪去2/3,形成了过渡枝。先在沙床中养护,每天喷水3～5次。半月后抽出新芽。当年7月就上了盆,并摘去全部叶片,放在荫棚中生长一周,逐渐转入正常管理。1993年春换盆后,用动势盆景的造型方法作了初步蟠扎。1996年春在贺淦荪老师的亲临指导下,将5株树桩组合在90cm、长40cm宽的汉白玉腰圆水旱盆中,并选用了本地的一种粉白色小块岩石组合、配景,重新在每一根枝条上进行蟠扎、修剪。枝条的蟠扎都是向右方发展,但并不是直接向右拉,而是先向左拉,然后才向右,即称之为“回旋式”造型法。这样,造型较生动活泼,有立体感。1997年春,笔者又换了一个较大的汉白玉盆,生长半年后,摘去全部叶片,重新修剪后摄影,取名《寒林清源》(见图1)。
In 1992, I got five Ashleaf stumps of varying heights. Pile handsome, branches evenly distributed, especially near the root of the pile thick sturdy roots, radiant on all sides, is the production of jungle-style bonsai good material. In the production, I retained all the branches, and all the branches were cut off 2/3, forming a transition branch. First conservation in the sand bed, water 3 to 5 times a day. After half a month out of new shoots. In July that year on the basin, and remove all the leaves, placed in shade shed growth for a week, and gradually transferred to normal management. In the spring of 1993 after the basin change, with the momentum modeling method of bonsai made a preliminary Panza. In the spring of 1996, under the guidance of He Gansun teacher, five stumps were combined in a 90-cm, 40-cm-wide, white marble waist and round water-drifted basin and a local pink-white rock assemblage was selected. A stick on the bar, pruning. The branches of the Panza are developed to the right, but not directly to the right to pull, but first to the left, and then to the right, which is called the “convolution” modeling method. In this way, modeling more lively, three-dimensional. In the spring of 1997, the author again changed to a larger white marble basin. After half a year of growth, all the leaves were removed and photographed again after pruning. The name was “Hanlin Qingyuan” (see Figure 1).