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一束阳光,从岩洞外面强烈地照进来。阳光下面,慈爱的老妇人默默地干着家务;调皮的孩子正捧着盘子看洗得干不干净。是的,那个岩洞就是她们的家。没有用闪光灯打扰这宁静一刻,摄影师把所见的一切,原生态呈现。大片的阴影烘托出岩洞的神秘与深邃,同时弱化了对周围简陋环境的渲染:摄影师不想展示太多生活的困顿,那不重要。这束阳光,是真正的叙事中心。侧光将人物从黑暗中浮显出来,而红白蓝三种极富生命气息的色彩,更与古老粗砺的岩洞形成强烈反差。从柏拉图时代起,就被赋予某种桎梏含义的洞穴,被那束光骤然点亮。阳光照耀下,平静的画面暗暗涌动着生命的激情与希望。在中东那片贫瘠的沙漠深处。哈姆丹部落的人们,承继了几千年来人类最古老的生活方式:平日以采摘水果为食。住在洞穴之中。面对强大的物质文明,他们从未感到失落;因为,心中的希望与现实生活无关,心中的希望是那已传承千年的生活态度。
A beam of sunlight shone strongly outside the cave. Under the sunshine, the loving old woman quietly doing housework; naughty children are holding the plate to wash was dry. Yes, that cave is their home. Did not bother with the flash This quiet moment, the photographer to see everything, the original ecology. The shadow of a large movie highlights the mystery and deepness of caves and at the same time weakened the rendering of the surrounding rudimentary environment: photographers do not want to show too much of the life’s distress, that’s not important. This sunshine is the true center of narrative. Sidelights will character emerge from the darkness, and red, white and blue three life colors, but also with the ancient rough rough in sharp contrast. From Plato’s time, it was given a cynical meaning of the cave, the light suddenly lit. Under the sunshine, the calm picture surges in the passion and hope of life. Deep in the middle of the barren desert. The people of the Hamdan tribe inherit the oldest human way of life for thousands of years: eating fruit on weekdays. Live in a cave. In the face of strong material civilization, they have never felt lost; because the hope in the mind has nothing to do with real life, the hope in the mind is that it has inherited the attitude of a thousand years of life.