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20世纪末期我国二胡类演奏中的诸多作品显著区别于传统时期的作品,既具备现代派意识,也体现了熟练的演奏技术,由此开启了我国二胡演奏与创作发展的新时期。从近年来的二胡演奏及乐曲创作情况可以看出现阶段呈现了多样化的特征,而且克服了模仿、移植、改编方面的诸多弊端,产生了具有显著风格,演奏技巧圆熟与作品经典化的倾向,将我国二胡演奏与创作发展带入了新境地。
At the end of the 20th century, many works of erhu performance in our country were significantly different from the works in the traditional period. They not only possessed the consciousness of modernism but also demonstrated the skillful playing technique, which opened a new era for the performance and development of erhu in our country. From the erhu performance and composition creation in recent years, it can be seen that the present stage presents a variety of features, and overcomes many shortcomings in imitation, transplantation and adaptation, resulting in a tendency of having a distinctive style, playing a mature musical skill, and classifying works. Put our erhu performance and creative development into a new situation.