论文部分内容阅读
在北京市雨后春笋般地出现的各种补习学校中,有一个由十九岁女青年李夏创办的春芽儿童小提琴学苑.这里现有一百二十名四至六岁的学龄前儿童,分六个班,每天晚上六点半至八点半在租用的一所日托幼儿园的房子里上课. 一天傍晚,我来到幼儿园的大活动室,旁听了一堂课.讲台后面的墙上挂着一条白色横幅,上面画的五线谱是巴哈小步舞曲的第二部分.二十个孩子手里拿着小提琴,安静地坐在小椅子上. 李夏留着过肩的披发,长得白净秀气,一对有神的大眼睛还带有几分稚气,但她讲课时却那么沉着稳重.她要孩子们复习已经学过的巴哈小步舞曲第一部分.她首先让坐
Among the various cram schools that have mushroomed in Beijing, there is a Spring Bud Children’s Violin School, founded by a 19-year-old young woman named Li Xia. There are now 120 preschool-age children aged 4-6, Class every day from 6:30 pm to 8:30 am in the rented day-care kindergarten’s house One evening in the evening I went to the kindergarten in the large activity room and listened to a lesson. The white banner on which the drawn staves are the second part of the Baha’s minuet with twenty children holding the violin in their hands and sitting quietly in the little chair. , A pair of God’s big eyes with a little childish, but she was calm when teaching class.She asked the children to review the first part of Baja’s minuet has learned.She first sat