论文部分内容阅读
在以“审美”范畴为标志,在马克思主义文学理论的视阈内塑造一个积极参与意识形态建构过程的“文学”形象的理论实践中,显示出中国当代文学理论较为独特的形态表征。中国当代文学理论中的“文学”形象可以分别从塑造能动的文学主体形象、塑造整合型的审美心理机制以及塑造具有现代性的“文学”形象等三个层面来看。从参与意识形态建构的角度去看待中国当代文学理论史上各种“审美”范畴所塑造的“文学”形象,或许能够脱离“审美/政治”二元对立的窠臼,重新看待这段理论进程。
In the theoretical practice marked by the category of “aesthetic ” and the creation of a “literary ” image that actively participates in the process of ideological construction within the sight of Marxist literary theory, it shows a rather unique form of Chinese contemporary literary theory Characterization. The “literary” image in contemporary Chinese literary theory can be viewed from the following three aspects: shaping an active literary subject image, shaping an integrated aesthetic psychology mechanism, and shaping a modern “literary” image. From the angle of participating in the construction of ideology, we can look at the image of “literature” created by various “aesthetic” categories in the history of Chinese contemporary literary theory and perhaps get rid of the duality of “aesthetic / political” and revisit This theoretical process.