摄影镜头的晃动本来是某种辅助性的电影技法,在多数时候它们都是情绪的渲染,比如困顿、比如恐慌、比如茫然……但也有一部分影片,把辅助性技法上升为主要手段,电影通篇都在晃动,那个时候,电影给人的感觉就更为复杂丰富,比如甜美、比如色情、比如恐怖……最有耐力的晃:《白痴》拉斯·冯·特里尔的电影《白痴》,由头至尾,整整109分钟,镜头就从来没有静止过。 The camera shake has always been a kind of auxiliary film technique, most of the time they are emotional rendering, such as sleepy, such as panic, such as loss ... but there are also some films, the auxiliary techniques to rise as the main means of film pass Articles are shaking, at that time, the film gives the impression that people are more complex and rich, such as sweet, such as pornography, such as horror ... ... the most enduring Akira: “idiot” Lars von Trier film “idiot ”, From start to finish, a full 109 minutes, the lens has never been too quiet.