本文对三、四十年代的现代文学中关于民族形式问题的论争由文化认同向民族认同转型的考察发现,这种各执一端的极端化是在现代性的视域下发生的。这次论争是在构建民族国家解放和进步的意义上和对新社会的形成作了文化上和思想上的准备的基础上的一种现代性取向。 This essay investigates the transition from cultural identity to national identity in the debate on the national form in the modern literature of the 1930s and 1940s. It finds that this extreme one-sidedness takes place under the sight of modernity. This debate is a modern orientation based on the cultural and ideological preparations in the sense of building the liberation and progress of the nation-state and the formation of a new society.