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从隋唐迄于明朝,科举考试书写传统基本固化。台阁体用笔、结体、章法形式几乎趋于“程式化”。这种风气在清朝馆阁体达到顶峰。清人馆阁体书法的来源涵盖了几乎可能有的取法途径:皇帝与朝臣之书,欧、颜、柳、苏等名家楷书,同时代书家馆阁体,前科状元书法等都成为取法对象。来自持敬之心的审慎书写是殿试卷风格形成的主要心理基础,规范严谨则为其风格特征。
From the Sui and Tang dynasties until the Ming Dynasty, the imperial examination tradition basically cured. Taiwan Pavilion with pen, knot, the form of law almost tends to “stylized ”. This trend reached a peak in the Pavilion of Qing Dynasty Pavilion. The origin of Calligraphy of the Qing Dynasty Pavilion covers the most likely ways of taking the law: the books of the emperor and the courtiers, the regular script of Europe, Yan, Liu, and Su, and the calligraphic objects . Prudential writing from the heart of respect is the main psychological basis for the style of the dynasty’s test paper, while the normative rigor is its style and character.