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青葱年少时,我曾活在水墨松烟里,整日地在纸上看那竹声新月,赏棋子灯花,一遍一遍朗读着某几句沁人心肺的诗。年少的我想象中的江南就是这诗中画,画中诗。曾和一个好友议论古龙小说里的人物,我说傅红雪有一种南方式的忧郁。对方哈哈大笑道,什么是南方式的忧郁?当时我用的词是南方,没有提及江南,因为傅红雪的阴郁具有一种富现代性的历史维度。但说到古中国的江南,却也构成南方式忧郁的一部分,因为它是一块早已沉没的古大陆,而现代南方是绝对现代意义上的南方,虽然这两个概念常常被旅行者们弄混淆。
When young and young, I had lived in ink and pine smoke, and watched the bamboo crescent moon on paper all day, admired the light of chess pieces, and read some of the most refreshing poems again and again. The young Jiang I imagined is this poetic painting, painting poem. Once talked to a friend about the characters in the novels of Gulong, I said that Fu Hongxue had a southern-style melancholy. Laughing at each other, what is the southern melancholy? At the time I used the word is the South, did not mention Jiangnan, because Fu Hongxue gloomy has a rich modernity of the historical dimension. But when it comes to ancient China, the south, it also forms part of the melancholy of the South, because it is an ancient continent that has long sunk, while the modern South is an absolutely modern south, though the two concepts are often confused by travelers .