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作为一门音乐学学科的中国民族音乐理论研究从20世纪初期王光祈先生“比较音乐学”的萌生之始至今已经历了一个多世纪的洗礼。本文正是立足于这一学科百余年的学术研究,从研究目的、研究对象、研究领域等方面总结了民族音乐学从“本体研究”到“关系考察”的研究历程。
As a music science discipline, the study of Chinese folk music theory has experienced more than a century of baptism from the beginning of Wang Guangqi “Comparative Musicology ” in the early 20th century. This thesis is based on the academic research of more than one hundred years of this discipline, and summarizes the research process of ethnomusicology from “ontology ” to “relationship ” from the research purposes, research objects, research areas and so on.