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本文选择了三位在90年代初对残障群体进行过拍摄的华人摄影师系列作品,分别对比分析了在同一时期同类题材下的三位摄影师的作品,在形式和内容上的共性与差异,并探讨了形式差异背后的原因。
This article selects three series of Chinese photographers who have taken pictures of handicapped groups in the early 90s of the year and compares the similarities and differences in the forms and contents of the three photographers of the same genre in the same period. And explores the reasons behind the formal differences.