世界十四行创作批评的焦点之一即它的形式与内容的关系常处于矛盾的纠缠之中。本文重点从朱湘、冯至的十四行创作来分析中国现代十四行创作存在的问题和取得的成就。总的来说 ,朱湘对十四行的探索是教训多于成绩 ,冯至的《十四行集》则代表了汉语十四行最重要的成果。朱、冯二人创作的失败与成功对我们的启示有 :首先 ,十四行体适宜抒发一种冷却后的情感和表现静态的思想沉淀 ;其次 ,为表意的需要 ,十四行的韵式可作某些简化。中国现代十四行诗形式简化的态势表明中国现代诗人正试图创作出成熟的汉语十四行 One of the focuses of the criticism of the world’s fourteenth line of writing is that its relationship with form and content is often entangled in contradictions. This paper focuses on the creation of the 14 lines by Zhu Xiang and Feng Zhi to analyze the existing problems and achievements of the modern Chinese 14-line creation. On the whole, Zhu Xiang’s exploration of the 14th line taught more than good grades and Feng Zhi’s “14th Line Sets” represented the most important achievement of the 14th Chinese line. The enlightenment of the failure and success of Zhu and Feng’s creation is as follows: First, the 14th line of body is suitable for expressing a cooled emotion and the static precipitation of thoughts; secondly, for the need of ideographic line, the rhyme of 14 lines Some simplifications can be made. The simplification of the Chinese modern sonnets suggests that modern Chinese poets are trying to create a mature Chinese 14th line