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文徵明笔下的书作和画作在清乾隆年间大量进入清宫,而在末代皇帝溥仪逊位后,又以赏赐溥杰等为名携出宫外。这些被溥仪移运出紫禁城的作品,绝大部分记录于《故宫巳佚书籍书画目录四种》中,虽然这份目录偶有缺失,但基本上反映出民国十一年(1922)九月至十二月间溥仪自皇宫携出的文徵明书画的大体情形,时近一个世纪,这些作品下落如何?本文拟借助王以堃《故宫已佚书画闻见目》、陈仁涛《故宫已佚书画目校注》、徐邦达《重订清故宫旧藏书画录》、杨仁恺《国宝沉浮录》以及《中国古代书画图目》等海内外公开出版的图册等资料,从“《佚目》内外的文徵明书画”的角度,对故宫已佚文徵明书画作品作以梳理,以期丰富对文徵明的研究,同时亦期待包括文徵明在内《佚目》书画的新发现。
Wen Zhengming’s writings and paintings under his penmanship entered Qing Dynasty in large numbers during the Qing Emperor Qianlong years. However, after the late emperor Pu Yi was absent, he was taken out of the palace in the name of rewarding Pujie. Most of the works that Pu Yi moved out of the Forbidden City were recorded in the Catalog of Paintings and Calligraphies of the Lost Palace in the Forbidden City. Although this catalog is occasionally missing, it basically reflects the eleven years of the Republic of China (1922) until September December this year, Pu Yi from the palace to bring out the general situation of painting and calligraphy, nearly a century, the whereabouts of these works? This article is intended to help Wang Yi Kun “The Forbidden City has seen the history of painting and calligraphy,” Chen Rentao “Forbidden City Museum ”, Xu Bangda“ Re-set the Forbidden City Collection of Calligraphy and Painting ”, Yang Renkai“ Treasure Map ”and“ Chinese ancient calligraphy and painting picture book ”and other publications at home and abroad and other information, from the“ ” In order to enrich the research on Wen Zhengming, the author also looks forward to the new discovery of the “lost eye” painting and calligraphy including Wen Zhengming.