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20世纪90年代,中国女性作家以自足、完备的艺术形态,展示出共性与个性兼备的开放型的文本风貌;亲和的平民生活、无奈的真实人生、历史的情感探索。她们的小说创作或平视芸芸人生,在一种冷静的观察体验中凸现出真切感和真挚感,融入自己对人类的悲悯胸怀;或在无用于世的现实中,以世俗化的、嬉笑怒骂皆由人的姿态回避对尴尬人生的评判;或穿越历史的隧道,追踪并重现女性对真爱和理想的探索足迹、心路历程,从女性角度重新解读历史,寻求其中的答案。
In the 1990s, Chinese women writers displayed an open style of text with both commonness and individuality, self-contained and complete art forms, affinity civilian life, helpless real life, and historical sentiment exploration. Their novel creation or horizon life, in a calm observatory experience highlights the true sense and sincere, into their own compassion for human mind; or in the useless world of reality, secular, ridicule They all avoid the judgments of awkward life by human gestures or through historical tunnels to track and reproduce women’s exploration of true love and ideals and their spiritual journey, and to reinterpret history from the perspective of women and seek the answers therein.