实事求是地说,迄今为止,我国的悲剧理论研究进展不大,状态并不令人满意。虽然从上世纪以来不少学者曾致力于这个领域的探索,并且在某些侧面也曾取得过可喜的成果,但总体上讲,基本构架还未形成,远谈不上系统,完备。其理论研究的局限性可以概括为以下几点。第一是空间狭小。注意力往往集中在与悲剧本质有关的几个范畴上,就事论事,而对人类悲剧意识的发生发展及其表现形式无论从纵向或横向、宏观或微观上都没有进行深层挖掘,因而缺乏历史感和思想深度。第二是角度偏斜。真正从美学的角度契入这个领域的不多,大都从政治的、伦理的或宗教的、哲学的方面出发,因而悲剧定义只是各取所需地被运用,并且也只能 To put it in practical terms, so far, the research on the tragedy theory in our country has made little progress and the status is unsatisfactory. Although many scholars have devoted themselves to the exploration in this field since the past century and have achieved gratifying results on certain fronts, in general, the basic framework has not yet formed, far from systematic and complete. The limitations of its theoretical research can be summarized as follows. The first is a small space. Attention is often focused on a few categories related to the nature of the tragedy. In light of the facts, there is no lack of historical sense in the development and manifestation of the tragedy of human beings, either vertically or horizontally, macroscopically or microscopically Thought depth. The second is the angle skew. The real aesthetics of this area is not much, mostly from the political, ethical or religious, philosophical aspects, so the definition of tragedy is only needed to be used, and only