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四、时尚与怀乡:“新工笔”画风的当代美学根源在一篇关于新工笔的文章中,笔者曾提出:“伴随工业文明而至的市民社会意识的渗透,促使艺术家们在图式上发生一些新的变革,也就是说,新工笔画家已然清醒认识到近古画史致命的断裂性,这种断裂既包含着画史观念的拼凑与误读,也混杂着对当下图像语境的陌生性臆想。如何在中西图式的美学冲撞中找到互译的救赎方式,这就需要一种新的图形表,以确定在借鉴、传承与抵抗中共现一种古典韵致与现代语汇的互文性与共时性价值。”
Fourth, the fashion and nostalgia: “New style ” style of painting aesthetics of the root causes of contemporary In an article on the new style of writing, I have put forward: “With the industrial civilization and civil society to social awareness infiltration, prompting artists Some new changes have taken place in the schema. That is to say, the new painter has clearly realized the fatal rupture of the history of ancient paintings. This kind of rupture not only embodies the patchwork and misunderstanding of the concept of the history of painting, Context unfamiliar imagination.How to find the way of redemption of mutual translation in the collision between Chinese and Western aesthetics, which requires a new graphical table, to determine in the reference, inheritance and resistance of a classical rhyme and modern vocabulary Intertextuality and synchronic value. ”