本文从《诗法要标》这部诗法著作入手,考察其与王槚《诗法指南》、吴默《翰林诗法》的渊源关系及编法之差异。在印证香港学者邝健行教授提出的朱之蕃不是《要标》真正的编选者,而可能由山人程逵辑合成书说法的同时,尝试将这样的问题置于更为普泛的商业出版背景下,对元明诗法类著作的系谱,以及晚明此类著作如何被坊间利用已有公共资源加以编刊,以适应读者的市场需求作出梳理。其目的一是藉此令文献学考察动态化,一是试图发掘其书籍文化史的价值与意义。 This article starts from the poetic works of “The Book of Poetry”, and investigates its relationship with the poetic method of Wang Mi and the poem “Hanlin Poems” by Wu Mo and the differences between the two. While confirming that Professor ZHU Zhi-fan, a Hong Kong scholar, proposed by Professor KONG Jian-hang, is not a true complier of the “must-be” symbol, but may be described by a man in his own right as a composite book, he tries to put such a problem into the more general commercial publishing context , The pedigree of Yuanyang’s poetry and prose classics, and how such works in the late Ming Dynasty were compiled by public sources to adapt to the readers’ market needs. The purpose of this study is to make literature review dynamic. First, it attempts to explore the value and significance of its book cultural history.