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文章以“中国舞蹈十二天”念云华编导的作品《大象·一念》为研究对象,尝试分析中国编导近几年来对“传统”的思考与关注,并用“现代性”手法进行舞蹈创作的大趋势。念云华作品由“wū”、“wú”、“wǔ”和“wù”四个篇章构成,巫,无,舞,悟,本身就是传统文化中的重要因子;而贯穿整个作品的水墨景致,亦处处可见中国传统元素。作品巧妙地将传统文化元素有效地呈现在舞台,在层层拆解作品结构、语言方式的过程中,运用当代人的眼光、审美意识和表现方法传递出博大精深的中国传统文化。这种善用传统元素却又颇具当代艺术特征的形式表现,体现出编导对传统文化元素运用的独到策略,值得我们探讨与借鉴。
The article takes “Chinese eleven days of dance” as an object of study in “The Elephant and a Meditation” edited by Yun Yunhua and tries to analyze the thinking and concern of Chinese editors on “traditional” in recent years and use “modernity ”Approach to the trend of dance creation. The works of Yun - Hua - Hua are composed of four chapters: “wū”, “wú”, “wǔ” and “wù”. Witch, no, dance and enlightenment are themselves important factors in traditional culture. Throughout the work of the ink landscape, but also traditional Chinese elements can be seen everywhere. The works skillfully present the elements of traditional culture on the stage effectively, conveying the profound and profound Chinese traditional culture in the process of dismantling the composition of works and the ways of language at various levels, using contemporary people’s perspectives, aesthetic awareness and methods of expression. This kind of good use of traditional elements but rather the characteristics of contemporary art in the form of performance, reflects the use of traditional cultural elements of the unique strategy, it is worth our exploration and reference.