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藏族作家龙仁青刊发于《芳草》上的八部短篇小说,在民族文学的叙事立场、语言方式、生活审美以及小说的形式审美等方面,都表现出具有一定意义的探索。尤其是它在作为共同经验之表现形态的民族共同语与个体生命的当下生活体验之间所形成的一种富有思想个性与艺术个性的互动关系形态,通过个体生命生存状况的叙述揭示而得以具体呈现落实。其中所着力表现的生命的孤独感与生活的孤独感,一方面紧贴青海藏族牧人生活的现实,另一方面又具有一种超越民族文化生态的普遍意义和现实意义。
The eight short stories published by Long Renqing, a Tibetan writer, on “Grass” show some exploration in the narrative position, language style, life aesthetic and the aesthetic form of novels of ethnic literature. In particular, it forms an interactive relationship between ideological individuality and artistic individuality, which is formed between the common language of nations as a manifestation of common experience and the present life experience of individual life, which is concretely revealed through the narrative disclosure of the living conditions of individuals Rendered implementation. The loneliness of life and the loneliness of life, which focus on the performance, are close to the reality of Tibetan shepherd life in Qinghai on the one hand, and have universal and realistic meanings that surpass the national cultural ecology on the other hand.