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本文尝试抛弃意识形态的拘囿,从女性成长小说的视角,解析潘人木的《莲漪表妹》和《马兰自传》,力图重新诠释50、60年代台湾“反共文学”思潮下,女性作家如何经由爱情婚姻等私叙述参入家国的宏大主题。
This article tries to abandon ideological arrest and analyze Pan Lianmu ’s “Lian Yi” and “Malan’ s autobiography” from the perspective of the female growth novels, trying to reinterpret the female writers in Taiwan in the 1950s and 1960s under the ideological trend of “anti - Communist literature”. By love marriage and other private narration into the ambitious theme of the home country.