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在汤显祖完成《邯郸记》创作22年、汤翁逝世7年之后,王思任写了一篇《批点玉茗堂牡丹亭叙》,在谈到玉茗堂“四梦”“立言神指”时说过一段经典性名言:“《邯郸》,仙也;《南柯》,佛也;《紫钗》侠也;《牡丹亭》,情也。”这段话之所以被经常引用并且为人信从,一是因为王氏与汤翁是同时代人,有共同的时代感受;二是王氏与汤翁有过交往,且关系密切,对汤翁了解深切。然而又不尽然。文艺创作是一个复杂的过程,一旦进入创作状态,作家投入的是感情,用感情写作,有时甚至是作家本人的理智所左右不了的。形象的文艺作
After Tang Xianzu completed “Handan Kee” for 22 years and Tang Weng passed away seven years later, Wang Siren wrote an article entitled “Peony Pavilion Symposium on Jade Pavilion”. When it comes to Yu Ming Tang’s “Four Dreams” Refers to a classical saying: “Handan”, cents also; “South Ke”, Buddha also; “purple hairpin” Xia also; “Peony Pavilion”, love also. " Is often quoted and trusted by people, first, because Wang and Tang Weng are contemporaries, have a common feeling of the times; the second is Wang and Teng Weng have had contacts, and close relations, deep understanding of Tang Weng. However not entirely. Literary and artistic creation is a complicated process. Once it enters the state of creation, writers are involved in feelings, writing in feelings, and sometimes in the writer’s own intellect. The image of art