若设描述活跃于中国现代文学第一个十年的庐隐,那么“新人物”式的女作家、举世皆惊的两段爱情以及苦闷伤感的小说风格是恰切的。返归历史现场则能发现,这些特质又都是五四时代的馈赠,对摩罗诗人般作家气质的热切呼唤,对爱本身的狂热赞美,亢奋过后碰壁新旧夹杂现实的绝望,都是五四时代所凝成的精神指向,复又异常鲜明地映现在庐隐的人文 If we describe Luyin, which is active in the first decade of modern Chinese literature, then the writer of “new character” style, the two love stories of the world, and the distressed novel style are appropriate. Returning to the historical scene, we can see that these qualities are all gifts of the May 4th era. They are all eager calls for the writer’s temperament as a Moro poet, fanatic praise for love itself, and despair of old and new mixed with excitement after the excitement. The condensation of the spirit of the point, complex and exceptionally clear reflected in Lu Yin’s humanities