论文部分内容阅读
《菊次郎的夏天》是日本导演北野武自编自导自演的一部电影,与北野武以往的暴力美学不同,该片讲述了男孩正男与怪叔叔一起在夏天寻找母亲的简单故事,无论剧情还是画面,甚至是演员表演,都带着一种浅绿色的柔情蜜意,让人感觉清新无比。影片没有花哨的叙事和特殊的表现手法,充满纪实风格,但北野武的这次转型无疑是成功的,他在导演方面的用心尝试让大家有机会静下心来,从这个温情的故事里收获一份最纯真的感动。
“Kikujiro’s Summer” is a film directed by Japanese director Kitano Takeshi and is different from Kitano’s previous violent aesthetics. The film tells the story of a boy who is looking for a mother in summer together with a strange uncle. Whether the story is still Pictures, and even performers, all come with a light green tenderness that makes people feel fresh and fresh. The film is not fancy narrative and special performance techniques, full of documentary style, but Kitano’s transformation is undoubtedly successful, his director intentions to try to give you a chance to calm down, from this tender story of a harvest Most purely touched.